Incubus to embark on U.S. tour with Coheed and Cambria

Incubus perform in concert at Razzmatazz stage on August 26^ 2018 in Barcelona^ Spain.

Incubus will embark on a U.S. arena tour in 2024, celebrating the band’s iconic album Morning View and featuring special guests Coheed and Cambria. During each night of the 10-dates of the tour, Incubus will perform 2001’s Morning View in full, as well as additional tracks. The double album has been RIAA certified double Platinum and spent 60 weeks on the Billboard 200, peaking at No. 2.

The tour is set to kick off on August 23rd at Little Caesars Arena in Detroit and make stops at Philadelphia’s Wells Fargo Arena, New York’s Madison Square Garden, and Boston’s TD Garden, as well as arenas in Tampa, Austin, and Denver before ultimately wrapping up in San Francisco at Chase Center on September 12th.

Incubus singer Brandon Boyd shared: “Roughly 23 years ago we rented a house at the sea to do an art experiment. The novel and expansive environment combined with a healthy dose of momentum helped us find that ever sought-after FLOW state and the songs that became known as ‘Morning View’ have since become indelible and deeply important parts of our lives .. This album helped propel our little art experiment called ‘Incubus’ into a way of life and here we are today, some 23 years later, about to introduce a new/next phase of its existence. ‘Morning View XXIII’ is a re-recording/re-think of the 2001 album and is the result of our desire to honor this burgeoning legacy but also reimagine it as musicians who have been lovingly performing these songs night after night for the last 23 years. See you on the road soon!”

The band announced last year that it would re-record and re-release the album, and the new version, titled Morning View XXIII, will drop on May 10th. You can pre-save the album – here.

Tickets are available now via Ticketmaster. Incubus also has upcoming international tour dates and will headline BeachLife Festival in May. For more information, visit Incubus’ website.

Editorial credit: Christian Bertrand /

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